Docsity
Docsity

Prepare for your exams
Prepare for your exams

Study with the several resources on Docsity


Earn points to download
Earn points to download

Earn points by helping other students or get them with a premium plan


Guidelines and tips
Guidelines and tips

Impressionism - Lecture Notes - Arts, Lecture notes of Art

Characteristics of Impressionist Style

Typology: Lecture notes

2016/2017

Uploaded on 03/20/2017

ashay
ashay 🇮🇳

4.1

(15)

206 documents

1 / 4

Toggle sidebar

This page cannot be seen from the preview

Don't miss anything!

bg1
Art 102 Impressionist Style Page 1 of 4
Characteristics of Impressionist Style
Impressionism is a style of painting which, with paint on canvas, reproduces the optical effects
of light and color.
The properties of color that the Impressionist artists employed in their paintings are explained in
the Starter Kit at the beginning of your textbook. Look for the use of primary, secondary and
complementary colors.
See also, this excellent website on color: http://www.worqx.com/color/index.htm. On the left
side of the screen, click on Color Wheels and Complementary Colors. Explore the rest of the
web site at your leisure.
Other color properties that play a part in the Impressionist style are complementary contrast and
simultaneous contrast.
Techniques of Impressionist painters include the divisionist technique, optical mixing and the
visible brush stroke.
Some of the properties of color that the Impressionist artists employed in their paintings are:
Primary Colors—red, yellow and blue. Theoretically, primary colors cannot be created
by mixing any other hues.
Secondary Colors—orange, green and violet, made by a mixture of two primary colors.
Complementary Colors—a primary color and the secondary color made from the two
remaining primaries, for example, blue and orange.
Complementary Contrast—When placed side-by-side, complementary colors enhance
the brilliance of each other.
Simultaneous Contrast— a flickering effect that occurs when complementary colors are
juxtaposed, because one of the complementary colors is warm and the other is cool. The
warm color advances in the visual field, and the cool color recedes. As the eye adjusts to
the contrast in advancing and receding colors, a flickering effect is created.
Negative After-Images— After-images may be at work in some Impressionist paintings,
enhancing the colors. Go back to this excellent website for an explanation of how after-
images work: http://www.worqx.com/color/after_image.htm.
A 20th century American artist, Jasper Johns, used this phenomenon in his painting, Flags.
Scroll to the next page to see the painting.
Stare at the white dot in the center of the green, black and orange flag for several
seconds, then look at the black dot in the pale flag below it. Theoretically you should see
the flag in its complementary colors—red, white and blue.
pf3
pf4

Partial preview of the text

Download Impressionism - Lecture Notes - Arts and more Lecture notes Art in PDF only on Docsity!

Characteristics of Impressionist Style

Impressionism is a style of painting which, with paint on canvas, reproduces the optical effects of light and color.

The properties of color that the Impressionist artists employed in their paintings are explained in the Starter Kit at the beginning of your textbook. Look for the use of primary , secondary and complementary colors.

See also, this excellent website on color: http://www.worqx.com/color/index.htm. On the left side of the screen, click on Color Wheels and Complementary Colors. Explore the rest of the web site at your leisure.

Other color properties that play a part in the Impressionist style are complementary contrast and simultaneous contrast.

Techniques of Impressionist painters include the divisionist technique, optical mixing and the visible brush stroke.

Some of the properties of color that the Impressionist artists employed in their paintings are:

  • Primary Colors —red, yellow and blue. Theoretically, primary colors cannot be created by mixing any other hues.
  • Secondary Colors —orange, green and violet, made by a mixture of two primary colors.
  • Complementary Colors —a primary color and the secondary color made from the two remaining primaries, for example, blue and orange.
  • Complementary Contrast —When placed side-by-side, complementary colors enhance the brilliance of each other.
  • Simultaneous Contrast — a flickering effect that occurs when complementary colors are juxtaposed, because one of the complementary colors is warm and the other is cool. The warm color advances in the visual field, and the cool color recedes. As the eye adjusts to the contrast in advancing and receding colors, a flickering effect is created.
  • Negative After-Images — After-images may be at work in some Impressionist paintings, enhancing the colors. Go back to this excellent website for an explanation of how after- images work: http://www.worqx.com/color/after_image.htm.

A 20 th^ century American artist, Jasper Johns, used this phenomenon in his painting, Flags. Scroll to the next page to see the painting.

Stare at the white dot in the center of the green, black and orange flag for several seconds, then look at the black dot in the pale flag below it. Theoretically you should see the flag in its complementary colors—red, white and blue.

Flags , 1968 Jasper Johns (American, born 1930) Lithograph with stamps; 34 x 25 in. (86.4 x 63.5 cm)

Terminology

primary, secondary and complementary colors

complementary contrast

simultaneous contrast

negative after-images

divisionist technique

pointillism

optical mixing

visible brush stroke