


Study with the several resources on Docsity
Earn points by helping other students or get them with a premium plan
Prepare for your exams
Study with the several resources on Docsity
Earn points to download
Earn points by helping other students or get them with a premium plan
Community
Ask the community for help and clear up your study doubts
Discover the best universities in your country according to Docsity users
Free resources
Download our free guides on studying techniques, anxiety management strategies, and thesis advice from Docsity tutors
Characteristics of Impressionist Style
Typology: Lecture notes
1 / 4
This page cannot be seen from the preview
Don't miss anything!
Impressionism is a style of painting which, with paint on canvas, reproduces the optical effects of light and color.
The properties of color that the Impressionist artists employed in their paintings are explained in the Starter Kit at the beginning of your textbook. Look for the use of primary , secondary and complementary colors.
See also, this excellent website on color: http://www.worqx.com/color/index.htm. On the left side of the screen, click on Color Wheels and Complementary Colors. Explore the rest of the web site at your leisure.
Other color properties that play a part in the Impressionist style are complementary contrast and simultaneous contrast.
Techniques of Impressionist painters include the divisionist technique, optical mixing and the visible brush stroke.
Some of the properties of color that the Impressionist artists employed in their paintings are:
A 20 th^ century American artist, Jasper Johns, used this phenomenon in his painting, Flags. Scroll to the next page to see the painting.
Stare at the white dot in the center of the green, black and orange flag for several seconds, then look at the black dot in the pale flag below it. Theoretically you should see the flag in its complementary colors—red, white and blue.
Flags , 1968 Jasper Johns (American, born 1930) Lithograph with stamps; 34 x 25 in. (86.4 x 63.5 cm)
Terminology
primary, secondary and complementary colors
complementary contrast
simultaneous contrast
negative after-images
divisionist technique
pointillism
optical mixing
visible brush stroke