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Humanities lectures’ description, Schemes and Mind Maps of Humanities

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Program in Cultures, Civilizations, and Ideas Professor: Dr. Andrew J. Ploeg
Humanities 112: Modernity Email: aploeg@bilkent.edu.tr
Spring 2021 Skype Screen Name: ploe4030
Skype Office Hours: Thursdays 12:30-
14:30, and by appt.
Course Description
While Humanities 111 is dedicated to the study of ancient and classical civilizations of the Near
East and the Mediterranean, its sequel, Humanities 112, explores the development of Western
thought. Antiquity and modernity are often seen as opposites, but on the basis of our work in
Humanities 111, we will be able to discern a more complex relationship between the two. As did
a number of the thinkers that we will read, we, too, will look simultaneously to the past and to
the future to attain a more dynamic understanding of the laws that govern the ordering of the
world from a Western perspective. All the while, we will keep in mind that we are working with
ideas, and that even a “Western perspective” is an idea. The emergence, development, benefits,
and problems of this very idea is the subject of debate in multiple fields today. While some
consider it undeniable that it is Western civilization that prevailed over other civilizations and
that gave rise to current problems of profound global and local significance, others point out that
“civilization” is a word that was first used no earlier than the eighteenth century to identify
specific patterns of thinking and behavior. Articulating some of these patterns as rights, norms,
and laws of Western civility will become one of our central tasks in Humanities 112.
This course is comprised of five clusters, based on particular themes. Each of these themes
speaks to the global focus of the course on the tension between modernity and tradition, on the
ideas that different people implemented at different times in order to etch a meaningful and
worthy existence. Our task will be to examine the ideas implemented and the problems to which
they gave rise, while we compare what different texts propose to be “meaningful” and “worthy.”
On a more global scale, we will attend primarily to the principles utilized by peoples to order
their world. By what rules, norms, and laws did they abide? Who had rights, what rights were
these, and how were they acquired? Who created and enforced the law? Which rules, norms, and
laws were adopted, renounced, or broken? These are some of the questions that we will engage
as we analyze the writing, but also the painting and music of “modernity,” and investigate further
the development of Western cultures and civilization.
Course Outcomes
HUM 112 is designed as an opportunity for you to:
advance your ability to read, understand, analyze, and critique complex texts
develop your critical thinking skills, proficiency in textual analysis, and argumentation
techniques
expand your understanding of conceptual paradigms associated with the term
“modernity”
study distinct philosophical and literary frameworks in order to gain a critical familiarity
with patterns that define historical periods and change
practice and improve your ability to communicate effectively both verbally and in writing
further your ability to write cogently and succinctly on particular topics and under
specified time limits.
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Program in Cultures, Civilizations, and Ideas Professor: Dr. Andrew J. Ploeg Humanities 112: Modernity Email: aploeg@bilkent.edu.tr Spring 2021 Skype Screen Name: ploe Skype Office Hours: Thursdays 12:30- 14:30, and by appt. Course Description While Humanities 111 is dedicated to the study of ancient and classical civilizations of the Near East and the Mediterranean, its sequel, Humanities 112, explores the development of Western thought. Antiquity and modernity are often seen as opposites, but on the basis of our work in Humanities 111, we will be able to discern a more complex relationship between the two. As did a number of the thinkers that we will read, we, too, will look simultaneously to the past and to the future to attain a more dynamic understanding of the laws that govern the ordering of the world from a Western perspective. All the while, we will keep in mind that we are working with ideas, and that even a “Western perspective” is an idea. The emergence, development, benefits, and problems of this very idea is the subject of debate in multiple fields today. While some consider it undeniable that it is Western civilization that prevailed over other civilizations and that gave rise to current problems of profound global and local significance, others point out that “civilization” is a word that was first used no earlier than the eighteenth century to identify specific patterns of thinking and behavior. Articulating some of these patterns as rights, norms, and laws of Western civility will become one of our central tasks in Humanities 112. This course is comprised of five clusters, based on particular themes. Each of these themes speaks to the global focus of the course on the tension between modernity and tradition, on the ideas that different people implemented at different times in order to etch a meaningful and worthy existence. Our task will be to examine the ideas implemented and the problems to which they gave rise, while we compare what different texts propose to be “meaningful” and “worthy.” On a more global scale, we will attend primarily to the principles utilized by peoples to order their world. By what rules, norms, and laws did they abide? Who had rights, what rights were these, and how were they acquired? Who created and enforced the law? Which rules, norms, and laws were adopted, renounced, or broken? These are some of the questions that we will engage as we analyze the writing, but also the painting and music of “modernity,” and investigate further the development of Western cultures and civilization. Course Outcomes HUM 112 is designed as an opportunity for you to:  advance your ability to read, understand, analyze, and critique complex texts  develop your critical thinking skills, proficiency in textual analysis, and argumentation techniques  expand your understanding of conceptual paradigms associated with the term “modernity”  study distinct philosophical and literary frameworks in order to gain a critical familiarity with patterns that define historical periods and change  practice and improve your ability to communicate effectively both verbally and in writing  further your ability to write cogently and succinctly on particular topics and under specified time limits.

Required Texts: (you must acquire copies of the following editions; hard copies are preferred)  Shakespeare, William. The Tempest. Ed. Stephen Orgel. Oxford: Oxford U P, 2008.  Shelley, Mary. Frankenstein. Ed. Maurice Hindle. New York: Penguin Classics, 2003. Supplemental Texts: (you must print your own copies from Moodle of the following texts)  Varnelis, Kazys. “Modernity and History.”  AHR Roundtable. “Historians and the Question of ‘Modernity.’”  Descartes, René. Discourse on Method and Meditations on First Philosophy.  Machiavelli, Niccolò. The Prince. Second Edition. Trans. Robert M. Adams. New York: Norton Critical Editions, 1992.  Illing, Sean. “How the Enlightenment Sold Us a Twisted View of Human Nature.”  Boroditsky, Lera. “Language and the Brain.”  Nietzsche, Friedrich. “On Truth and Lies in a Nonmoral Sense.”  Illing, Sean. “The Post-Truth Prophets.” Required Materials: (you must have the following items with you every class session)  The assigned text  A notebook  A writing implement Attendance Policy: According to Bilkent University policy, missing more than nine classroom hours will automatically result in a failing grade for the course. During Zoom sessions, cameras must be turned on for the entirety of the class meeting. If your camera is not turned on, you will be marked absent. Please inform me at the start of the semester about any technological issues that will affect your ability to attend class in the required manner, so that accommodations can be made. Also, please note that while official health reports are required to make up missed quizzes, active reading assignments, and/or exams, they do not negate absences. If you must miss a class due to a university-sanctioned event, be sure to inform me about it in advance, if possible, and provide me with official documentation in a timely manner. Remember that you are responsible for all information and assignments that you may miss due to absences; so, if you miss a class, (first) check Moodle, (second) get in touch with a classmate who takes good notes, and (third) email me with any questions that you may have. Participation Policy: Participation is an extremely important aspect of HUM 112. It will also determine 10% of your final grade. Participation in this class does not simply mean being virtually present; it means coming to class prepared (i.e., always having the required text, a notebook, and a writing implement) and taking an active role in discussion by posing questions or voicing opinions, staying on task, listening, and taking notes. If you come to class unprepared or are unable or unwilling to participate in these ways, it will negatively impact your participation grade. Your active and informed involvement during every class period will demonstrate that you have read

Assignments:  Participation: 10% Coming to class prepared, responding thoughtfully to questions posed, and engaging with the ideas of others will be expected in every class session. Important components of active participation also include asking relevant questions, taking notes, and interacting with your peers to accomplish assigned tasks in class during small-group work. Please note that to participate effectively, you must have your camera on at all times during our Zoom sessions.  Quizzes and Active Reading Assignments: 30% Throughout the semester, you will be asked to take quizzes and to submit active reading assignments via Moodle. Both will aim to guide you to important moments and details in the texts and to offer you opportunities to sharpen your analytical reading and critical thinking skills. You will need to dedicate time to reading carefully all texts assigned. If you find yourself struggling, please meet with me to discuss additional techniques that can improve your reading and comprehension skills. At the end of the semester, I will drop your lowest quiz or active reading assignment grade. Note: quizzes can only be made up in the case of officially documented reasons and within one week of the original due date.  Course Project: 30% The course project will consist of one in-class midterm exam, which will evaluate your command of the material that we have covered since the beginning of the semester.  Final Exam: 30% The final exam will be comprehensive—it will include material from the beginning to the end of the semester. It will involve responding to several short answer and essay questions. Grading Scale: A 100- 93 A- 92-

B+ 89-

B 86-

B- 82-

C+ 79-

C 76-

C- 72-

D+ 69-

D 66-

F 59 or below Note: The lowest passing grade is a D. *****A Note on FZ grades*: Students will receive an FZ and will not be eligible to take the final examination if they have less than a 30% average on the final day of classes or more than nine hours of absences. Overview Schedule:

CLUSTER I: WHAT IS “MODERNITY?” Because asking questions will be central to our endeavors together this semester, we will begin HUM 112 by tackling a series of significant ones: What is “modernity?” What characterizes it? What distinguishes it from antiquity? How might the term be useful? How might the term be dangerous? These questions do not have simple answers, and the two assigned essays will help to complicate our thinking in this regard. This first cluster will serve not only as a starting point from which to begin our study of modernity, but also as a set of questions that will guide us through the diverse historical periods, cultures, literary and artistic movements, as well as philosophical problems that it encompasses. Readings: Varnelis: “Modernity and History” AHR Roundtable: “Historians and the Question of ‘Modernity’” CLUSTER II: NATURE, CIVILIZATION, OTHERNESS Among the multiple themes that HUM 111 examined were two prominent ones—culture and civilization. Both of these ideas rest on comparisons of one (individual, family, city, country, civilization, culture) to another, the question of the “otherness” of one to another being central to the comparison. We will continue to investigate these ideas in HUM 112 through Michel de Montaigne’s “Of the Cannibals” and William Shakespeare’s The Tempest. Readings: Montaigne: “Of the Cannibals” Shakespeare: The Tempest CLUSTER III: REASON, SCIENCE, ETHICS The question of “how one becomes what one is” (a question formulated thus by Friedrich Nietzsche) will guide implicitly our examinations in this segment of HUM 112. As it is for post-colonial theory, the issue of reason—what is reason? what is reasonable, and who decides this?—will be at the forefront. Both René Descartes and Victor Frankenstein’s creation will ponder what the “I” is. Readings: Descartes: Discourse on Method and Meditations on First Philosophy Shelley: Frankenstein CLUSTER IV: POWER, REVOLT, FREEDOM As HUM 111 revealed, power is a profoundly important concept in the discussion of civilization and cultural development, particularly because it is inextricably entwined with the concept of freedom. Focusing on questions that each text raises individually, but reading also between them, we will probe the specific points on which Niccolò Machiavelli and Friedrich Nietzsche converge and diverge in terms of power, and especially the ruling of others and of oneself as an ethical activity. Readings: Machiavelli: The Prince Illing: “How the Enlightenment Sold Us a Twisted View of Human Nature” Boroditsky: “Language and the Brain” Nietzsche: “On Truth and Lies in a Nonmoral Sense” Illing: “The Post-Truth Prophets”